Market Research Essay -- essays research papers fc

1. Introduction   Ã‚  Ã‚  Ã‚  Ã‚  An increasing amount of attention is being paid in the literature to business Guanxi or relationship in Asia particularly in the business dominated economies of the Hong Kong, Singapore, Taiwan and the People’s Republic of China. Chinese business relationships and contracts that needs to be understood and worked within to successfully conduct business and management in most countries in the region. However, the attention is directed to the different perspective on the importance of guanxi to business practices and possible impacts of the guanxi on western firms’ success in China. In order for western firms to enter China market, they have to confront with complex and constantly changing ethical percepts in China (Wu, 1999) and different types of guanxi not only exist but also can be harnessed in an ethical fashion to create wealth (Leung et al., 1999). Dates back to the mid 1980s, Motorola’s presence operates the largest owned subsidiary in China and had moved their country from a centrally planned economy to a market economy. The Motorola has invested in China for a decade and is so far the largest foreign investor in China. Therefore, guanxi has an impact on Motorola to be an established company in China compared to their competitors, Siemens and Nokia. The limitation on this research is addressed. The continuous development and changes in market condition in China is of a certain period of time. This is because it needs to be adapted to fit the prevailing situation at that time. Moreover, interview session is difficult to conduct as the research is on Motorola-China and therefore it is heavily rely on secondary sources. 2. Guanxi’s implications to practices In recent decades, there have been several fundamental concerns for western companies in China. For the Motorola, they learn how to manage a socialist workplace culture in which employees depend on their state-run employers for housing, food transportation and other necessities. The managers also have to baffle by guanxi, the vulnerable Chinese practice of developing and nurturing intricate networks of personal relationship. Nevertheless, priority is sometimes given to them over bottom-line performance. As China is admission to the World Trade Organisation (WTO) in 2001, it has reduced tariffs and business prospects are likely to grow even more prom... ...stern. Fabtech. (2004, March 19). Available HTTP:   Ã‚  Ã‚  Ã‚  Ã‚  www.fabtech.org/industry.news/008/21.01.shtml Forbes. (2004, March 19). Available HTTP: www.forbes.com/home/newswire/2003/07/03/rtr1018223.html Kahal, S. E. (2001). Busines in Asia Pasific. United States: Oxford University Press Inc. Noble, C. (1997). Asia Pacific Business. Australia: Charles Stuart University People’s Daily. (2004, March 13). Available HTTP:   Ã‚  Ã‚  Ã‚  Ã‚  www.fpeng.peopledaily.com.cn/200011/05/eng20001105_54382.html People’s Daily. (2004, March 15). Available HTTP:   Ã‚  Ã‚  Ã‚  Ã‚  www.fpeng.peopledaily.com.cn/200111/08/eng20011108_84118.shtml Recommendations For Western Firms While Operating in China. (2004, February 29)   Ã‚  Ã‚  Ã‚  Ã‚  Available HTTP: bigtp.com/inf_3.html Spotlight: China: Factory for the World. (2004, March 19). Available HTTP:   Ã‚  Ã‚  Ã‚  Ã‚  www.bizsites.com/spotlight/china.html Testimony of Christopher B. Galvin. (2004, March 13). Available HTTP: www.finance.senate.gov/2-23galv.htm Workforce. (2004, March 15). Available HTTP:   Ã‚  Ã‚  Ã‚  Ã‚  www.workforce.com/section/09/feature/23/56/96

Indian boy Essay

The next characters to enter the play are the Mechanicals. The play is a romantic comedy. A lot of the play’s comedy comes from the Mechanicals. They are a group of actors that want to fulfil a dream. This dream is to write a play good enough to perform for the Duke, which would get them their pensions. The Mechanicals are a subplot to the play and take the action away from the chaos and gives the play a wider variety. The Mechanicals are all portrayed to be ambitious but most of all Bottom. His enthusiasm lightens up the mood of the play. For example, as the parts are being read out, Bottom is asked to play the part of Pyramus. He enthusiastically quizzes Peter Quince about the part. When the rest of the parts are being read out, Bottom continuously interrupts and requests that he plays other parts as well as Pyramus. On one occasion, Bottom pleads, ‘And I may hide my face, let me play Thisbe too’. He then starts acting out Thisbe’s part in a squeaky voice, which is quite humorous. Peter Quince appears to be a leader, as he takes the leading role of the Mechanicals. He also seems quite intelligent, as he has written a whole play. He is also directing it, showing his leadership qualities. The other Mechanical that stands to me, even though he says little, is Snug the joiner. This is because of his studying inequalities and his inability to realise that a lion does not speak. This is also quite humorous. The Hoffman version of the film shows slapstick humour at the very first sighting of Bottom. As Bottom is acting out one of the parts that he would like to play, a crowd gather around him. Whilst he acts, he has a huge grin on his face. As the crowd grows bigger he starts acting to his audience. Two drunken men on a balcony above Bottom tip red wine over Bottom. This provokes a laugh from the audience and wipes the grin off Bottom’s face. After reading the play, this does not appeal to me as Bottom, as he is not one to get upset over a practical joke. I think that the Noble version shows more slapstick comedy than the Hoffman version. The most noticeable event being the moment that Titania and Bottom share on Titania’s huge umbrella. Bottom makes noises of an ass and I found this very funny. I prefer the Bottom on the Noble version of the film, as he is louder and more active. He is what I would call a slapstick comedian. He has more character about him. On the Hoffman version, Bottom gets upset about a practical joke. I could not see this happening with the Bottom on the Noble version. Athens is a society that believes in law and order, which an Elizabethan audience would feel comfortable viewing. Law and order are mainly demonstrated in the first scene of the play, where Hermia is being told to respect her father’s wishes or face the consequences. Hermia’s father was willing to see his daughter die if she did not respect his wishes. This also demonstrates power, as Hermia’s father has the power to control her. In the Hoffman version, powerful clothing is also used to show who is the more powerful. The need for power in the fairy world causes trouble in the mortal world. What ever happens in the fairy world has a direct effect on the mortal world. For example, when Titania and Oberon are arguing over a small Indian boy, there are storms in the mortal world. Oberon demonstrates his need for power by requesting that he has the small Indian boy. He does not need the boy for anything but wants to take the boy from Titania to prove that he can and show that he is more powerful than her. The fairy world seems to be disordered in the way that Puck fails to carry out Oberon’s instructions correctly, as he put the love juice on Lysander’s eyes rather than Demetrius’. Also, disorder is shown by Oberon doing anything he can to get the Indian boy, not caring what harm he is causing. For example, Oberon is willing to make Titania fall in love with Bottom, with an ass’s head, in order to get the Indian boy. In the Noble version of the film, when Titania and Oberon are arguing, bubbles are transporting fairies around. The boy is blowing these bubbles into the toy theatre, which has reappeared in his dream. One of the bubbles shows a reflection of this boy dressed as an Indian. To me, this implies that in the boy’s life, his parents represented by Titania and Oberon, could be arguing over him. In this case Titania and Oberon are arguing over an Indian boy, which appears to be the boy whose dream it is. Shakespeare uses language to create the fairy world by describing nature’s beauty. Describing nature creates the feel of a world we do not know much about. Shakespeare uses phrases such as, ‘Swifter than the moon’s sphere’ and ‘To dew her orbs upon the green’. Orbs create the feeling of jewels, like jewels of a king or queen. Orbs also create the feeling of power, which is shown so much in the fairy world. Moonlight re-affirms the night and dreamy theme of the play. We only see the fairy world during times of darkness in the two film versions of the play. The orbs and green to me create little fairies sparkling like orbs in a green forest. Such description is important because in Elizabethan times, special effects and settings were unavailable. Shakespeare must concentrate on the power of the mind. He uses such descriptive words so that the audience can imagine the set, scenery and feeling of the play. Adrian Noble meets the challenge of creating another realm by implementing surreal situations. He starts off by using bubbles to carry fairies. He also uses light bulbs to create stars. Because this isn’t what we are used to seeing, it makes us feel like we have entered something different to our world.

Why De Dtijl s Style - 1371 Words

Why De Dtijl â€Å"The Style†? De Stijl Translated from Dutch to English literally means â€Å"The Style† but why? Could it have been a simple name for simple design using predominantly primary colours and basic shapes? Or could it have been an ambition from the creator of De Stijl to make it the style for everyone and everything in? Hopefully I can give you enough information for you to decide for yourself. So before we start let’s look more into the words De Stijl, We know that together they mean â€Å"the Style† but if we isolate the words and look closer at what they mean and what impact they could have on the overall name of the movement, â€Å"De† literal translation is â€Å"the†. why is â€Å"the† needed?, Why couldn’t it just be called Stijl or â€Å"style† could†¦show more content†¦Let’s start now with how the movement began and who was involved at the start. De Stijl was a Magazine organised by Theo Van Doesburgh, different to past movements centred round a magazine De stijl was a collective effort from different types of architect’s designers and artists, who all shared a collective goal of creating a universal Art. Theo van Doesburgh launched the magazine in 1917 in Leiden in the south of Holland where he moved to in 1916 to be with his sweetheart. while Van Doesburgh was living in Leiden he was intro duced to the work of Piet Mondrian and van der leck who hust happened to stumble on the same principle of art at the same time as one another, which is reminiscent of the likeness between Barque and Picasso in early modernism, which inspired him change his style of painting where he would usualy look for visual reality in his work, to start â€Å"further image† his work so his work started to become more basic shapes and lines to eventually lines and rectangles and this is where the typical De Stijl style was created. Van doesburgh did not feel like he was different to the other painters he was working with instead he thought that he was working besides them to contribute to creating a new style. Another painter Vilmos Huszar, Born in 1884 was also greatly influential for de stijl. Vilmos Huszar Gained his inspiration from glass painting and Graphics. And so the four artists were all heading in the